the-wagon-tragedy-and-malabar-rebellion-th

Context: A report submitted to the Indian Council of Historical Research (ICHR) in 2016 had recommended the removal of the Wagon Tragedy victims and Malabar Rebellion leaders Ali Musliyar and Variamkunnath Ahmad Haji, and Haji’s two brothers from a book on martyrs of India’s freedom struggle. The report sought the removal of names of 387 ‘Moplah rioters’ from the list of martyrs.

  • The book, Dictionary of Martyrs: India’s Freedom Struggle 1857-1947, was released by Prime Minister Narendra Modi last week.

Analysis

The Wagon Tragedy of 1921

  • In this incident, at least 60 prisoners suffocating to death in a windowless freight wagon. 
  • These men were among 90 rebels, all Muslims, who had been sent by British officials to a prison in Pothanur near Coimbatore. They died in transit. 
  • The Wagon Tragedy incident, which took place on November 20, 1921, two years after the Jalianwala Bagh massacre, is remembered as the Jalian Wallabagh of the South.
  • The British Raj tried to cover up this heinous event but finally relented to the pressure and gave a solatium of Rs 300 to the families of those who were killed.
  • The Sergeant of the Malabar Police who ordered the farmers to be transported in this inhuman way to the prisons in Coimbatore and Bellary was called Richard Harvard Hitchcock.

Mapillah Uprising 

  • 2021 marks the 100th-year anniversary of the Malabar uprising. 
  • The Malabar Rebellion (also called the Mappila or Moplah Rebellion) broke out in the southern taluks of Malabar in August 1921. 
  • It largely took the shape of guerrilla-type attacks on janmis (feudal landlords, who were mostly upper caste Hindus) and the police and troops.
  • The immediate trigger of the uprising was the Non-Cooperation Movement launched by the Congress in 1920 in tandem with the Khilafat agitation. 
  • The Malabar Congress, many of whose leaders were Nairs, was the most active participant in these twin agitations with several Hindu leaders addressing Khilafat gatherings.
  • The anti-British sentiment fuelled by these agitations found fertile ground among the Muslim Mapillahs of south Malabar living in economic misery which they blamed in large part on British rule. 
  • The British had introduced new tenancy laws that tremendously favoured the landlords and instituted a far more exploitative system than before. 
  • The pre-British relations between landlords and tenants were based on a code that provided the tenants a decent share of the produce. 
  • The new laws deprived them of all guaranteed rights to the land and its produce and in effect rendered them landless.
  • This change created enormous resentment among the tenants against British rule. 
  • The fact that most of the landlords were Namboodiri Brahmins while most of the tenants were Mapillah Muslims compounded the problem. 
  • The Nairs formed an intermediate grouping of well-off peasantry with their own economic and social grudges against the Namboodiri landlords but largely unsympathetic to the economic travails of the Mapillahs.
  • Non-partisan analyses of the uprising make clear that multiple factors contributed to the character of the movement. These included economic distress, anger against foreign rule and the tenancy laws it instituted, and religious zeal. 
  • But above all it was an agrarian revolt that simultaneously took on the garb of anti-colonialism and religious fanaticism.

Variyamkunnath Kunjahammed Haji, the Khilafat leader who declared an independent state

  • Kunjahammed Haji’s father, Moideenkutty Haji, was deported and jailed in the Andaman Islands for his participation in a rebellion against the British. Such personal incidents, very early on in his life, played an important role in lighting the fire of vengeance inside Kunjahammed.
  • An interesting facet in Haji’s early life was his fascination with traditional music-based art forms like Daffumutt and poems like ‘Malappuram Padappattu’ and ‘Badr Padappattu’ and how he used art as an instrument to rally the locals against the British.
  • For nearly six months, Haji ran a parallel Khilafat regime headquartered in Nilambur, with even its own separate passport, currency and system of taxation. 
  • During the time, an extensive army with the participation of Hindu men was built with the express aim of thwarting any attempt by the British to overthrow the Khilafat rule. 
  • He declared his territory an ‘independent state’ in August 1921 with Haji its undisputed ruler.
  • But the rule did not last long. In January 1922, under the guise of a treaty, the British betrayed Haji through his close friend Unyan Musaliyar, arresting him from his hideout and producing him before a British judge. He was sentenced to death along with his compatriots.
  • All the records connected with the Khilafat raj was burnt in order to make the people forget the Mappila khilafat rule of six months.

What was the impact of the protests?

  • The rebellion of Mappilas inspired by religious ideology and a conception of an alternative system of administration — a Khilafat government — dealt a blow to the nationalist movement in Malabar. 
  • The fanaticism of rebels, foregrounded by the British, fostered communal rift and enmity towards the Congress.
  • The exaggerated accounts of the rebellion engendered a counter campaign in other parts of the country against ‘fanaticism’ of Muslims. 
  • That said, the traumatic experience of the uprising also persuaded educated sections of the Muslim community in Malabar to chalk out ways to save the community from what they saw as a pathetic situation. 
  • The community’s stagnation was attributed to religious orthodoxy and ignorance. The thrust of the post-rebellion Muslim reform movement in Malabar was a rigorous campaign against orthodoxy.

 

Advaita School of Hindu philosophy and Yakshagana (TH, pg 9)

  • Context: Kesavananda Bharati Swamiji, seer of the Edneer Math in Kasaragod district of Kerala and petitioner in the landmark judgment of the Supreme Court on Fundamental Rights, passed away in the math recently.
  • A proponent of Advaita philosophy, the seer belonged to the lineage of Thotakacharya, one of the first four disciples of reformer Adi Sankaracharya.
  • The Swamiji was a good singer and a popular ‘Bhagavata’ (singer and director) in Yakshagana, where he rendered compositions in the Carnatic music style. 

Analysis

Advaita School of Hindu philosophy

  • Advaita (Nondualism) is one of the most influential schools of Vedanta, which is one of the six orthodox philosophical systems (darshans) of Indian philosophy.
  • While its followers find its main tenets already fully expressed in the Upanishads and systematized by the Brahma-sutras (also known as the Vedanta-sutras), it has its historical beginning with the 7th-century-CE thinker Gaudapada, author of the Mandukya-karika, a commentary in verse form on the Mandukya Upanishad.
  • Gaudapada builds further on the Mahayana Buddhist concept of shunyata (“emptiness”). He argues that:
  • there is no duality; the mind, awake or dreaming, moves through maya (“illusion”); and nonduality (advaita) is the only final truth. That truth is concealed by the ignorance of illusion. 
  • There is no becoming, either of a thing by itself or of a thing out of some other thing. 
  • There is ultimately no individual self or soul (jiva), only the atman (universal soul), in which individuals may be temporarily delineated, just as the space in a jar delineates a part of the larger space around it: when the jar is broken, the individual space becomes once more part of the larger space.
  • The medieval Indian philosopher Shankara, or Shankaracharya, builds further on Gaudapada’s foundation, principally in his commentary on the Brahma-sutras, the Shari-raka-mimamsa-bhashya (“Commentary on the Study of the Self”). 
  • Shankara in his philosophy starts not with logical analysis from the empirical world but rather directly with the Absolute (brahman). 
  • If interpreted correctly, he argues, the Upanishads teach the nature of brahman
  • In making that argument, he accounts for the human error in taking the phenomenal world for the real one. 
  • Fundamental for Shankara is the tenet that brahman is real and the world is unreal. 
  • Any change, duality, or plurality is an illusion. 
  • The self is nothing but brahman. Insight into that identity results in spiritual release (moksha). 
  • Brahman is outside time, space, and causality, which are simply forms of empirical experience. 
  • No distinction in brahman or from brahman is possible.
  • Nevertheless, the empirical world is not totally unreal, for it is a misapprehension of the real brahman
  • A rope is mistaken for a snake; there is only a rope and no snake, but, as long as it is thought of as a snake, it is one.

Yakshagana

  • It is a traditional theatre form of Karnataka state in India 

yakshagana-dance.jpg

  • Yakshagana is a theatrical form of presenting Mythological, historical stories & Puranas.
  • A Yakshagana performance includes music, dance and dialogues, usually recited in Kannada.
  • It is a temple art form that is performed with massive headgears, elaborate facial make-up and vibrant costumes and ornaments.

Meaning and Origin of Yakshgana

  • The word Yakshgana means the songs of the Demi-Gods (yaksh ‘meaning Demi-God, and ‘gana’ meaning song). 
  • The performers wear interesting and colourful costumes, and elaborate headgears. 
  • The stage design and unique rendering is similar to that of the Western Opera.
  • The true representation of the poems enacted in these plays is attributed to have started during the Vaishnav Bhakti movement in the 11th century.  
  • In 13th century, a Sage named Narahari Thirtha started Dashavathara performance in Udupi, which later developed into the Yakshagana of today.
  • It is believed to have originated in the coastal districts of Karnataka.